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27-Sep-2019 06:36 by 6 Comments

Spirit cafe dating lang en

In 1886, van Gogh moved to Paris, where he encountered the works of the Impressionists and Neo-Impressionists, and the Pointillist compositions of Georges Seurat.

In a letter to his sister Willemien, touching upon the mind and temperament of artists, van Gogh once wrote that he was “very sensitive to color and its particular language, its effects of complementaries, contrasts, harmony.” By 1888, van Gogh had returned to the French countryside, where he would remain until his death.

“Always continue walking a lot and loving nature, for that’s the real way to learn to understand art better and better,” he wrote in 1874.

“Painters understand nature and love it, and teach us to see.” It was nature, and the people living closely to it, that first stirred van Gogh’s artistic inclinations. Landscapes remained a popular subject in late-nineteenth-century art.

Largely self-taught, van Gogh produced more than 2,000 oil paintings, watercolors, drawings, and sketches, which became in demand only after his death.

He also wrote scores of letters, especially to his brother Theo, in which he worked out his thoughts about art.

It takes up three-quarters of the picture plane and appears turbulent, even agitated, with intensely swirling patterns that seem to roll across its surface like waves.

It is pocked with bright orbs—including the crescent moon to the far right, and Venus, the morning star, to the left of center—surrounded by concentric circles of radiant white and yellow light.

Cypresses were also regarded as trees of the graveyard and mourning.

“But the sight of the stars always makes me dream,” van Gogh once wrote.

Flame-like, it reaches almost to the top edge of the canvas, serving as a visual link between land and sky.

Considered symbolically, the cypress could be seen as a bridge between life, as represented by the earth, and death, as represented by the sky, commonly associated with heaven.

Driven in part by their dissatisfaction with the modern city, many artists sought out places resembling earthly paradises, where they could observe nature firsthand, feeding its psychological and spiritual resonances into their work.

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